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Write the Year 2024—Week 15: Snap

I didn’t know what ephemerals were (or, rather, I didn’t know the name for them). There used to be a single, pale purple tulip that grew for about 72 hours out by our back gate. Now it’s gaudy pink hyacinth that stays around longer than it should. But I do love things that suddenly appear and disappear this time of year. This is a half-assed Novem; I am playing fast and loose with consonant sounds.

Title: Snap
WC:
35

Taste this minute.
A tulip’s grace
Taken too soon.

How they hurry,
bold heralds whose
brilliance must flee.

Silk-red remnants
of ripened hearts,
rarer than faith.

Where they gather,
there glory rests
gentle and good.

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Write the Year 2024—Week 03: Orchid Lightning

Partly a prompt from Writers Write. Partly a song I’ve been banging my head against this week, which was first inspired by the image below

Title: Orchid Lightning
WC: 750

It was an ordinary winter Thursday. The sky was just burning off the tail end of daylight. A block this way and that way, rush hour traffic was creeping its loud, profane way onward. Here, though, the ground beyond the chain link fence descended, an angular wedge someone had carved out for some reason.Within it, the deep drifts of snow drank the noise right down. Here, it was something close to quiet. Ren wondered if that’s why he’d chosen this spot. Or she. Or they.

The artist, she said to herself. The solution pleased her well enough that she said it again, this time spending a tiny parchment-colored cloud of breath on it—the artist. A gritty gust of wind roared down the train tracks just then, taking the moment’s pleasure with it and calling her out as a fool.

The quiet must be an occasional byproduct, at best. In the heat of summer, everything would carry. Horns and children shouting as they stretched out their games of Ghost in the Graveyard. The seclusion and the vast concrete face of the man-made canyon’s north wall. That must surely be the draw. Or must surely have been, maybe.

She curled her fingers tighter in the rusted-out diamonds of the fence and brought her face close enough to the dirty thing that could almost taste the ochre stains on the tip of her tongue. She scanned the white expanse of the drifts for interruptions—footprints, wheel tracks, any sign of the artist, but there was nothing. She allowed herself a sidelong, half-lidded glance at the thing itself.

The work, she called it the confines of her own mind on the days she forced herself, without turning, past the street at the west end of the fence. The creation. That’s what she called it here. Like this, when the vivid shades and haunting figures called the blood to the surface of her skin and forced her gaze downward.

Last week—another ordinary winter Thursday—she’d convinced herself with a half dozen stolen glimpses that it had grown, shifted, morphed somehow. A new flash of mad orchid lighting hidden in one of the eyes that danced through a streamer of clouds, or maybe a new hint of brilliance in the gem that rested on the forehead of the largest, most arresting of the faces.

But today, time had folded back on itself like a bird with its head under one wing. Today, she had come and she had to admit it to herself: Tte work was unaltered. The creation had been . . . created. And there was no reason in the world to think there would be more, or that one day there’d be an awkward, one-sided encounter: the artist working, Ren holding her breath and looking on from afar.

She took a step back from the fence, one set of fingers still tangled in it, reluctant to let go. There was no trace of the sun any more. It was beyond stupid to be standing here alone, staring into the blackness. With an effort, she pulled free and turned to go.

Just then, there was a hum, all the molecules of air for what felt like miles vibrating. The area inside the fence was flooded with punishing blue-white light. Ren’s first instinct snapped her chin upward. She scoured the night sky looking for . . . what? Little green men? A clanging down in the canyon shook her out of it. She stared in astonishment as figures appeared at the base of the work—the creation. Men. Two ordinary men, though in that first instant they seemed minuscule under the looming figures. But their dark, filthy coveralls snapped perspective into place. Men.

They’d come through a door she’d never noticed before. A dark oblong in what she’d always thought was an unbroken stretch of concrete grey. They were struggling with some kind of equipment. Long, heavy hoses that snaked back through the door they’d emerged from and wands that seemed to be as long as they were tall. Ren’s fingers found their way back through the rusted diamonds of the fence.

What? The wind carried the question away, a plume of breath this time.

The noise answered it, an awful, mechanical racket as water blasted against the concrete. The silver eyes wept. They dissolved, leaving nothing. It occurred to her suddenly that she’d never looked at it straight on before—the creation.

Ren’s fingers loosened their hold on the fence. Her shoulders slumped and she looked away.

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Write the Year 2022—Week 22: Harper Court

So, I think I understood what a Rispetto is, and this is mostly it? There’s some flexibility on rhyme scheme as I understand it, and technically, I think for mine, it should divide more sensibly into quatrains, but I’m a rebel, Dotty (Dottie?—I have never seen Rebel Without a Cause, and I think that’s one of those famous misquotes anyway). My brain kept spitting out the iambic tetrameter in places, but I think I wrangled it? I was sort of motivated by this Reedsy prompt.

Title: Harper Court
WC: 44

Exactly like a playground child,
down yellow tubes the odds and ends
will tumble, rattling and wild.
Chaotic rest, confusion lends
its thin disguise to pasts disposed.
The hands, efficient, thoughtless, gloved
strip bare, tear down, ignore beloved
and crumbling places gone to ghosts.

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Write the Year 2022—Week 20: Byways

Sort of this prompt from Poets & Writers.

Title: Byways
WC: 600

Chicago, IL—May 10, 2022

I noticed the first a year ago, maybe two. Who knows how many times I’d walked past it before then—two houses in from the corner, a concrete cube right up against a chain-link fence looking out into the alley. The face jutting out at the bottom is what caught my attention all of a sudden—hinges for eyes and a sloped metal profile ending in a vertical underbite. It jogged memory that day, who knows why, but I knew I’d seen hundreds of them. I’d walked by them, squatting out there next to gate after gate, who knows how many times. That day, I snapped a picture. I called on my Chicago people and had an answer in minutes. It’s an incinerator, one that, for some reason, hadn’t been hauled away with the rest long ago. I remembered my grandfather burning garbage, years after he should have been, behind the big yellow house on Campbell in the Gage Park neighborhood.

It’s not just the one. There are a handful, maybe a dozen. Who knows how many times I’ve walked by each one before I notice. Before it reveals itself to me. This week’s says:

Star Box
One
Piece

Chicago, IL—May 10, 2022

I swear I saw the first phone weeks ago. The dog has developed a thing for alleys, and if it’s still light out, I’ll usually indulge her for at least part of the walk. This one’s not paved. It’s a pain in the ass that gets more and more clogged with weeds with every rainfall, but she trots down one side of the wheel ruts and I stick to the other. The leash, stretched out taut between the two of us, mows down knee-high dandelions as we move along, more or less in step. I swear I saw the first phone on the green rise right down the middle, its screen cracked, and I wondered if that was a before or after thing. I wondered what wheels slowly crunching through the irregular gravel might have had to do with any of it.

I don’t know which of these is the first phone. I don’t know if it’s either one of them, but the sight of the two of them nestled up and out of the way, set with care on the wooden edge of some kind of raised bed made me think: Romeo and Juliet. It never gets old.

Chicago, IL—May 13, 2022

It looked like the future the way only things from the past ever do. The shiny chrome brackets caught the baking hot sun. The honeycomb of diamonds and the twin rows of vents made me want to run the backs of my nails over the metal. I snapped the pictures quickly, awkwardly. There was someone in the alley and I suppose I didn’t want him thinking I might start rooting through the mismatched pile of things. I was annoyed right away with the fact that I’d gotten it off-center and at an odd angle. With the sun beating down I couldn’t tell if I’d gotten anything like a clear picture of the old-fashioned dial. I did, as it turned out. Two shots, more than clear enough to see the word:


Titan

For just an instant the fantasy held. Titan—a name worthy of a 1950s spaceship, touching down at the end of its journey from the far edge of the solar system in the distant future of 1985. But the picture was too clear, really. With its plastic knob missing, the everydayness of the object was revealed. This Titan had arrived from nowhere more exotic than Sedalia, Missouri.

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Write the Year 2022—Week 5: Concertina

I really liked this Writers Write prompt. I couldn’t quite pull off the economy it calls for, so I wrote 50 words each for the beginning, middle, and end.

Title: Concertina
WC: 150

It started in the facing seats situated in the bend of a bendy bus. A summer fling sparked the moment she caught him snooping the cover of this week’s doorstop library book. The bus creaked around a corner, swiveling them both into a shaft of sunlight. Love at first wince.

Things got serious in a hurry. Buses bunched as even bendy buses will. He’d raise up on his toes looking for her tucked between accordion creases. She’d lean out into the aisle so the bus window frame would just catch her in profile. He’d drop to his heels and board.

On the day three buses rolled through the intersection, he waited for hers to lurch to the curb. Over the top of her book, she snooped the cover of the library doorstop he produced with a flourish. Things ended with the sharp ding of an abruptly pulled cable. Stop requested.

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Write the Year 2021—Week 28: Prank

When I don’t plan, there is, unfortunately, poetry. A Petrarchan sonnet this time (kind of)

Title: Prank
WC: 108

Remember how you lay down here to die?
Spectacular head tucked beneath your wing
Arresting black eyes, you make stillness sing
Your roadmap of veins to navigate by.
You’re leaving, I see, just as you arrive
Teeth flash, the last threads of the frayed kite string
That tethered you, that led you back to wring
One final plea, one childhood’s grievous cry.

I recall a linoleum crime scene
Just us chickens, the hour you always chose
I was the panic button, ever pressed
From your memory, this long since wiped clean
No jealous breath guarded before you rose
You lay down there to die, I passed the test.